I cheated.
On February 18, I started #The100DayProject, along with millions of other artists around the world. I planned to draw and post a portrait of someone whose birthday was…
Botanical watercolors
To celebrate spring, I’m highlighting a project from a few years ago. I took a deep dive into super-detailed watercolor painting and created a series of botanical illustrations…
Do you have the right?
Many years ago I designed the logo for the Smoky Hill Museum. The typography was created by hand, then scanned, and each letter meticulously drawn, positioned, and outlined in an early…
Revisit the past, influence the future
Recently I attended a book discussion about Bill of Obligations: The Ten Habits of Good Citizens by Richard Haass. Even though I haven’t read the book yet, I was looking forward to.…
Way of the Cross
I was invited to participate in Ways of the Cross, a Lenten reflection on the Stations of the Cross at Salina’s Christ Cathedral. My contribution is a mixed media painting inspired by the 9th …
Collective Retrospective
Late in 2023, I was invited to participate in the Collective Retrospective project. The brainchild of Cindy Zimmerman, artists submitted two works of art representing how they and…
Now for something completely different…
Almost all my creative endeavors to this point have been realistic, representational, controlled (see below). If a finished drawing or painting looked just like the subject, I had an objective standard…
Birds on the brain (not to be confused with ‘birdbrain’)
June 2023 — Every spring I tell myself I’m going to work on the landscaping at my house. Because I don’t really know what I’m doing, it's easy to procrastinate. Year after year I continue.…
You say tomato…
Monoprints or monotype -- does it matter? I’m in the home stretch of preparation for my show, Landscapes in the Abstract. Most of the prints are finished, and now I’m photographing, matting…
On the brink
I’ve kept an eye on those budding yuccas I mentioned last week as they start to bloom. Next week at this time they’ll probably be long past their prime. I used the yuccas for inspiration for…
A year for yuccas
I’ve posted about my yuccas before. Every year about this time I look forward to seeing them. This year promises to be spectacular — so many buds! A few years ago, the yuccas were the inspiration for.…
Layer upon layer, building an image — or a life
I’m working on the Landscapes in the Abstract show, scheduled to open in June at Theatre Salina. Here’s a short video showing the process. Each piece starts as a monoprint, created by applying…
Sketchbook tour
Here’s a quick tour through my most recent sketchbook. You’ll see drawings, thumbnails for clients projects, scribble portraits of Meet the Press panelists, abstract acrylics, and probably.…
Spring forward, enthusiastically
Spring is in the air — let’s celebrate! In my Etsy shop this month, all subscribers (that’s YOU!) receive 20% off items featuring my botanical watercolors. Just use this link to order (discount is calculated at checkout). You’ll find greeting cards, wall art…
Revisiting Resistance
Apparently I’m not the only person who gets waylaid by Resistance, which I reported on in my last newsletter. I’m employing a stoic approach to deal with my challenges (see below), with good…
Resistance strikes!
Remember my last newsletter in which I described how eager I was to start exploring all the ideas I had put on hold for so long? Well, something happened. I was attacked by Resistance.
Fun with assemblage
I’ve been inspired by watching Gary Hanson make his assemblages on YouTube, and wanted to make one of my own. This one is called “She Could Steal But She Could Not Rob.”…
Shirley You Jest
In honor of Shelley Winters' birthday, here’s a collage I did based on her autobiography, Shirley (her name at birth was Shirley Shrift; they later changed the title of the book to Shelley)…
Botanicals, circuses, and Smithsonian classes
An update on projects, products, and progress. There’s news about botanical watercolors, circus promotions, art history education, and more — see it here…
Marking an accomplishment
I am now a proud graduate of the Smithsonian Associates World Art History program. To receive a certificate, completion of 4 core classes and 6 electives were required. The core classes.…